[TURBULENT RESONANT TECHNOLOGIES]

Audio-Visual Alchemist & Indie Dev

I build stuff to visualize and automate my artistic process and render my own obsolescence in the larger part. My work lives at the intersection of procedural audio synthesis, retro-industrial aesthetics, and simulated chaos. Whether it’s a glitchy wobblevision video synth or a obscene reference from digital culture past screaming through a droning loop, I’m interested in the tactile, the "broken," and the experimental.

My background is rooted in the deep end of the avant-garde and industrial scenes. I’ve handled stage visuals for Steven Stapleton (Nurse With Wound) and once hunted down a specific cathode ray tube television for Peter "Sleazy" Christopherson (Throbbing Gristle/Coil). I’ve seen the wires behind the curtain (and yes, once, Amanda Palmer’s underwear).

I bring that same "fixer" energy and uncompromising DIY ethic to every piece of software I release.

Current Projects

• Concrete Composer: An ongoing exploration of image-glitch functions and rhythmic audio loops.
• The Anomaly Drone Synth: A dedicated tool for generating harsh, textured soundscapes and glitch effects.
• Tactical ASCII Simulations: Procedural, destructible environments including Redaction River, Nuke War Plus, K.C. Kill Sat, and Agincourt.
• KNOBULATOR Eyesy Video Synth Emulator : Custom logic and visual modes designed for hardware-inspired video synthesis.Based on an out-of-production Pi-based device by Critter & Guitari.

Technical Philosophy

I believe in high-contrast palettes, "industrial control panel" interfaces, and programs that feel like they were unearthed from a 1990s research lab. Everything here is indie, experimental, and—more often than not—free to the public.